It’s far deeper than I would have imagined in its combined modules, and while I’m not sure it’ll shake me from some other tools, I’m impressed with the combination of tools. The results may be closer to what some people have done with Reaktor patches and the like than a previous product. All of these settings are cleverly mapped to performance controls so you can play the resulting effects.
It does repeats of different musical lengths, but also pitched effects, buffer position, bit reduction and digital distortion, delay, gate, pan, and filters. But Stutter Edit is more of a multi-effects stuttering effect, packed with different processors and rigged for life performance. Ableton’s Beat Repeat and Audio Damage’s superb Replicant, among others, do something like that. The idea is this: take the style of sliced-up, digitally mangled, stuttering micro-edits, and turn it into an instrument. The video interview here is likely your best bet for getting his current take, direct from the source. Note: The conversation made an impression on me, personally, but I’m recalling something that happened some time ago. Now, in a release from iZotope, BT’s Stutter Edit is available as a finished, polished product.
Izotope stutter edit with reaper software#
But the one software release that has been generating buzz amongst producers may be iZotope’s Stutter Edit.īT told me in an interview some years ago about how he was using software in beta that he said would change the world, as he claimed credit for the stuttering, sliced editing style that has since become so popular.
Hardware greatly eclipsed software among music tech announcements and last week’s NAMM trade show.
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